The costumes of “A Complete Unknown” are a joy.
“A Complete Unknown,” James Mangold’s Bob Dylan biopic (in theaters now), is many things: a star-making vehicle for Timothée Chalamet, a spin through a sliver of Mr. Dylan’s extended discography and, maybe most of all, a reminder that the singer born Robert Zimmerman is one of the music world’s unquestionable style icons.
In an edited conversation, members of the Styles staff — Vanessa Friedman, Stella Bugbee and Jacob Gallagher — used the release of “A Complete Unknown” as an excuse to debate their favorite Dylan looks, what was going on with all that hair and whether the Nobel Prize-winning songwriter was the
→ Continue reading at The New York Times