Pharrell Williams — the clothing designer who succeeded Virgil Abloh in February 2023, just over a year after his death, as Louis Vuitton’s men’s creative director; the Grammy-winning record producer behind such pop masterpieces as Justin Timberlake’s “Justified” (2002) and Clipse’s “Hell Hath No Fury” (2006); the musician and performer who in conversation casually refers to the French electronic duo Daft Punk as “the robots” and Karl Lagerfeld as “Karl” — doesn’t like talking about himself. “This is absolutely Dante’s ‘Inferno,’” he said over the phone this past June, a few days after lighting up Paris’s Pont Neuf with his spectacular debut for the French fashion house. At one
→ Continue reading at The New York Times