Late last month as the 2022 edition of Cleveland’s FRONT International art triennial began to wind down, a dispatch published by Forbes wondered if Ohio’s second-most populous city, oft-overlooked but blessed with a historically robust arts scene, is poised to become “the next Venice” as it continues along a remarkable comeback path shared by other once-down-and-out Rust Belt burgs. Yet as Paul Mosley wrote for AN, the “more relevant ambition of FRONT lies in the transformative potential of art to fortify and restore local communities, not to make Cleveland the next Venice.”
Whatever the case, something is indeed brewing along the southern shore of
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