With most of the budget for a young Sinéad O’Connor’s debut album spent in the studio, the emerging Irish singer told her label that what she’d recorded was a pile of fucking shite.
Sinéad felt that the recordings made with producer Mick Glossop were all wrong — disposable ‘80s drivel that was light years from her piercing spirit and vision. And she told Ensign Records (which became owned by Chrysalis during this period) that if they released the work as it was, she would turn her back on it.
By then heavily pregnant and under all kinds of pressure, Sinéad asked young Irish producer Kevin Moloney, who had moved
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