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During her tenure as The New Yorker’s television critic, Emily Nussbaum famously railed against ranking the year’s best shows; she once wrote a piece titled “I Hate Top Ten Lists.” But naming her favorite series of all time is an easier proposition, and the honor goes to a little-known Canadian production from the early two-thousands that dramatized the colorful characters and commercial struggles of a fictional Shakespearean theatre festival. In the final episode of this summer’s Critics at Large interview series, Alexandra Schwartz talks with Nussbaum about her love of “Slings & Arrows,” which pioneered a complex balance of comedy and drama that would eventually become a hallmark of prestige television. Today, Hollywood showrunners including David Simon, the creator of “The Wire,” sing its praises—and yet it remains largely overlooked by audiences. Nussbaum, who’s lately been writing as the magazine’s theatre critic, is on a mission to change that. “The history of TV is the confusion between whether something is good and whether it’s popular and commercial,” Nussbaum says. “ ‘Slings & Arrows’ is an example of a show that is the best show—regardless of how many people watch it.”
Read, watch, and listen with the critics:
“Cue the Sun,” by Emily Nussbaum
“Slings & Arrows” (2003-06)
“Hamlet,” by William Shakespeare
“Macbeth,” by William Shakespeare
“King Lear,” by William Shakespeare
“30 Rock” (2006-13)
“Orange Is the New Black” (2013-19)
“Call My Agent!” (2015-19)
“The Studio” (2025—)
“Next to Normal” (2025)
“Succession” (2018-23)
New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.
