The trio’s main topic was Pierpaolo Piccioli’s first couture outing for the house—a collection they agreed felt unmistakably his own after two ready-to-wear seasons spent reconciling his sensibility with Demna’s. Under a blazing midday sun, with Cynthia Erivo, Naomi Watts, and Teyana Taylor among those fanning themselves in the front row, Piccioli sent out a richly colored and feather-heavy fantasia.
The conversation then backtracked to Monday’s opening acts, beginning with Daniel Roseberry’s Schiaparelli show, where a chrome runway and body-conscious, skin-like silicone pieces reflected an unusually experimental research process: instead of making his usual research trip, Roseberry said he’d spent time at a company that manufactures silicone baby dolls. From there, talk turned to Jonathan Anderson’s second couture collection for Dior, which the panel read as a loosening of the house’s codes, with knotted, sculptural details inspired by artist Lynda Benglis softening the rigor of the bar suit. And Matthieu Blazy’s fairy-tale-inspired second couture show for Chanel was characteristically whimsical, including jacket linings stitched with the models’ handwritten to-do lists (e.g. “Pizza in fridge”). The group also spotlighted Michael Stewart’s couture debut at Standing Ground, staged at the Irish Embassy, as a genuine word-of-mouth sensation.
Up next are Duran Lantink’s couture debut at Jean Paul Gaultier, Maria Grazia Chiuri’s first Fendi couture show in Rome, and this weekend’s Dolce & Gabbana Alta Moda collection in Sicily. The group wrapped things up on a lighter note, talking through the realities of front-row life in a Paris heat wave, from designers rethinking fabrics for a warming climate to the season’s must-have accessory: a hand fan, tucked into every micro-bag that could fit one.